A rough day. Three baskets of laundry. One glass of wine. And a Carrie Underwood song that hit harder than sludge. This is not a phase. This is genre tourism.
What do you get when you mix grief, spores, feral blog energy, and a very patient designer? Apparently, a logo. This is the story of how "reverb and teeth" became a legitimate design brief .
I hit play on Todbringer and it hit back—with piano, Camus, and a scream that knew exactly where to land. An album for people who feel too much and keep going anyway.
Déhà released a one-off melodic black metal album.
I responded like a rational adult:
By spiralling into hyperfocus and writing a small novel about it.
An open letter to the person I’m still hoping exists. The one who’ll mock my spiral, send cursed memes at 2AM, and finally make life feel a little less unbearable.
One hour. One forest. No way back. Devoured by the Oak wraps you in choirs, blastbeats, moss, and mourning—and doesn’t let go until your soul’s been tenderised.
Blackened death metal with a space theme I have no business enjoying—but here we are. Stellar Collapse is heavy, oddly emotional, and just human enough to pull me in.
The one where I chased James McBain through a field, got the photo, and smiled so hard it nearly broke my face. A gloriously unhinged travel diary from HOA 2025, featuring Hellripper, chaos, and the best kind of cringe.