Genre Tourism
Genre Tourism · 20/02/2026
An inbox surprise that didn’t test my patience, my nerves, or my goodwill — and actually made me whoop before it fully earned my affection.
Genre Tourism · 25/01/2026
Was supposed to review Backengrillen and ended up researching 90s hardcore, flute panic, and static loops. This album is weird, unhinged, and kind of brilliant. I think.
Genre Tourism · 23/01/2026
A quiet atmospheric black metal release from Wales that knows exactly what it is. Three long tracks, strong mood, no fuss — music for drifting, stepping back, and breathing for a moment.
Genre Tourism · 24/10/2025
The one that took its time—and then knocked me sideways. Final day of Maladie Week. Five tracks, infinite dissonance, and more jazz than anyone asked for.
Genre Tourism · 21/10/2025
Four tracks. Thirty-four minutes. Latin titles, cello, and one particularly doomy epic that shapeshifts until it breaks you just a little.
Genre Tourism · 20/10/2025
We kick off Maladie Week with Symptoms: the unplanned, sprawling 41-minute EP that started the series. Saxophones, blast beats, and no middle ground.
Genre Tourism · 16/10/2025
Got handed an album. Listened to music outside my usual hunting ground. Ended up reading about beekeeping. Would recommend.
Genre Tourism · 10/10/2025
A rough day. Three baskets of laundry. One glass of wine. And a Carrie Underwood song that hit harder than sludge. This is not a phase. This is genre tourism.
Genre Tourism · 19/08/2025
Swore off death metal in April. Fell face-first into Grotesque Impalement. There are grunts. Oh well.
Genre Tourism · 31/07/2025
Blackened death metal with a space theme I have no business enjoying—but here we are. Stellar Collapse is heavy, oddly emotional, and just human enough to pull me in.