Keepers · 14/11/2023
Crushing riffs, haunting howls, and pagan vibes for days — UADA’s Cult of a Dying Sun is black metal you feel in your bones.
Genre Tourism · 29/04/2023
Oldschool metal meets alt-rock vocals. The Night Eternal deliver a solid listen with identity confusion. Genre tourism strikes again.
Keepers · 13/02/2023
A slow, bleak, and beautifully brutal journey into Konvent’s blackened doom masterpiece. Guttural growls, haunting cello, and pure cultivated gloom.
Genre Tourism · 20/01/2023
A look at Masterplan’s MK II—a polished power metal album that ticks the boxes but doesn’t quite leave a lasting impression.
Genre Tourism · 23/11/2022
A reluctant deep dive into Deicide’s In the Minds of Evil. Blasphemous, brutal, and surprisingly fun—for a band that’s had actual bomb threats.
Genre Tourism · 13/11/2022
A review of Defleshed’s comeback album Grind Over Matter. Fast, tight, aggressive—and not remotely interested in melody or mercy.
Genre Tourism · 10/11/2022
Danish death metal band Baest put me through a sonic meat grinder—and somehow I liked it. A reluctant review of Necro Sapiens from a genre tourist.
Genre Tourism · 31/10/2022
Burning Witches bring old-school heavy metal cosplay with The Witch of the North — an album full of leather, Norse mythology, and a growing sense of déjà vu. Part of my quest through the W:O:A 2023 line-up.
Genre Tourism · 28/04/2022
A brutally honest review of Helloween’s Keeper of the Seven Keys. Power metal royalty? Maybe. But this crown’s looking a bit rusty.