In The Pit · 21/04/2025
Cattle Decapitation live in Hamburg: the show that gave me tinnitus, trauma, and genre clarity. One year later, here’s what went down.
In The Pit · 01/08/2024
Sunburned, sleep-deprived, and still made the wrong choice — Day 3 at Wacken features Uada, Gaahl, and the Opeth-shaped hole in my soul.
Genre Tourism · 12/01/2024
Terrasite by Cattle Decapitation: death metal with blast beats, cleanish vocals, and a whole lot of misanthropic energy. A vegan dives in.
Keepers · 02/03/2023
A deep dive into Projector, Dark Tranquillity’s boldest and most controversial album — gothic, melodic, experimental, and somehow exactly what I needed.
Keepers · 04/02/2023
A slow-burning, atmospheric dive into Be’lakor’s melodic death metal masterpiece—long tracks, no choruses, just pure immersive power.
Genre Tourism · 23/11/2022
A reluctant deep dive into Deicide’s In the Minds of Evil. Blasphemous, brutal, and surprisingly fun—for a band that’s had actual bomb threats.
Genre Tourism · 10/11/2022
Danish death metal band Baest put me through a sonic meat grinder—and somehow I liked it. A reluctant review of Necro Sapiens from a genre tourist.
Genre Tourism · 22/07/2022
Was Seven Churches the first death metal album? No clue. But it was raw, wild, and cracked something open. That’s what matters. Becerra didn’t need the crown anyway.