Genre Tourism · 24/10/2025
The one that took its time—and then knocked me sideways. Final day of Maladie Week. Five tracks, infinite dissonance, and more jazz than anyone asked for.
Genre Tourism · 10/10/2025
A rough day. Three baskets of laundry. One glass of wine. And a Carrie Underwood song that hit harder than sludge. This is not a phase. This is genre tourism.
Genre Tourism · 19/08/2025
Swore off death metal in April. Fell face-first into Grotesque Impalement. There are grunts. Oh well.
Genre Tourism · 31/07/2025
Blackened death metal with a space theme I have no business enjoying—but here we are. Stellar Collapse is heavy, oddly emotional, and just human enough to pull me in.
Genre Tourism · 30/06/2025
A gloriously petty, unplanned dive into Russian deathcore. No insights, no regrets (well, maybe a few). Just one night of blast beats, beer, and questionable decisions.
Genre Tourism · 12/01/2024
Terrasite by Cattle Decapitation: death metal with blast beats, cleanish vocals, and a whole lot of misanthropic energy. A vegan dives in.
Genre Tourism · 12/05/2023
A reluctant deep dive into HammerFall’s Glory to the Brave—the power metal classic I tried not to like, but kind of did. Against my will.
Genre Tourism · 29/04/2023
Oldschool metal meets alt-rock vocals. The Night Eternal deliver a solid listen with identity confusion. Genre tourism strikes again.
Genre Tourism · 19/03/2023
A deep dive into Ensiferum’s 2001 debut — where blast beats meet flutes, and somehow, it all works. Fun, harsh, and just epic enough to make you care.
Genre Tourism · 22/02/2023
A not-so-heavy album from Wales’ loudest genre blender. Big Tings is more whooping than riffing — but with just enough groove to keep things interesting. And GIMME THAT BOOM? Yeah, that one slaps.